With Salvador gone, Lucía – who initially distrusts The Beast and says that Salvador’s sister is only “sick in the head” – becomes more and more convinced that the monster reminiscent of the Slender Man has come looking for her and Diego. As she transforms slow and painful humans into paranoia and madness, Diego must make the transition from sheltered innocent to steadfast hero.
“The Wasteland” isn’t the first horror film to tap into the issues that force us to tell (and retell) the stories of boogeymen who once invaded and “the harbinger of doom.” Robert Eggers’ “Witch,” “The Wicked One” by Scott Derrickson, by David Robert Mitchell “It tracks,” Jennifer Kent’s “Babadook,” and – perhaps the most obvious – M. Night Shyamalanof “The Village”, all hit their own fear mentality. In the end, when all the specific pitfalls of any given monster story are removed, what remains is a simple investigation into the mind’s involuntary compulsion to create anxiety. fear a tangible structure and form.
In Casademunt’s film, however, the addition of a self-inflicted personality, post-war isolation – and the film’s refusal to confirm or deny the existence of the Beast – fuel our obsession with This vague and ominous creature becomes a great relief when touching something even more tragic. Unlike many of its mythological and cinematic predecessors, “The Wasteland” doesn’t shy away from exposing what this universal root of fear of shapeshifting is exactly: the unshakable knowledge of our own death.
https://www.looper.com/731360/the-ending-of-netflixs-the-wasteland-explained/ The End of The Wasteland Explained by Netflix