(De)colonized is a sequence on the harms of colonialism, and the fierce resistance towards it.
The Shinnecock Indian Reservation sits proper on the sting of Southampton, New York, a spot maybe shamefully finest referred to as a summer time trip space for rich East Coasters. If you end up within the space, you’ll undoubtedly see the title Shinnecock, which interprets roughly to “people of the stony shore,” within the names of shops, eating places, golf ranges within the Hamptons, none of which are literally affiliated with the Shinnecock Nation or its members.
In the meantime, artist Jeremy Dennis has spent the pandemic attempting to fill his neighborhood’s cup. The 12 months 2020 introduced a lot of his private profession alternatives and artwork occasions to an indefinite halt. He lives on the reservation, the place he noticed employment alternatives and monetary sources for others in his neighborhood dwindle, as nicely. His household home was simply down the street from his late grandmother’s home, which had at that time been vacant for 3 years. His first thought was to renovate it and switch it into an artist’s studio, however the humble GoFundMe he began for a little bit further assist was met with overwhelming help. That help shifted Jeremy’s imaginative and prescient for the mission utterly. “I believed that with that beneficiant help, I would like to provide again and dedicate a lot of the home to communal occasions,” Jeremy stated. “Simply having individuals come down, find out about Shinnecock’s historical past, and in addition be an area for all artists of shade to come back and really feel welcome as nicely.” He calls the mission Ma’s House, a household legacy namesake.
https://www.teenvogue.com/story/mas-house-making-space-for-indigenous-artists-preserving-native-history | Ma’s Home Is Making House for Indigenous Artists and Preserving Native Historical past