Dune has given popular culture so many issues: big sandworms, the Litany Against Fear, “spice” as a drug metaphor, and the stillsuit. One of many concepts Frank Herbert paid specific consideration to detailing in his notes and his 1965 novel was the stillsuit, an outfit designed to retain and recycle the wearer’s physique moisture. Stillsuits let Herbert inform a narrative about surviving in probably the most harmful setting in his books — a cruel planet-wide desert that additionally will get folks excessive. (Most significantly, you can poop in a stillsuit as an alternative of taking it off when nature calls.)
For Denis Villeneuve’s stunning screen adaptation, costume designers Jacqueline West and Bob Morgan had their work reduce out for them. In contrast to a lot of the wardrobe within the film — the darkish wool fits of Home Atreides, or the insect-inspired garb of the Harkonnen — stillsuits are an important a part of the lore, described in nice element in each the novels and in Herbert’s notes. The stillsuit was, in keeping with Morgan, the film’s “centerpiece costume.” It needed to look good on all of the solid members, and conceivably be useful sufficient that performers wouldn’t hate sporting it throughout manufacturing within the real-world deserts of Jordan.
West and Morgan pulled off the previous with aplomb: The stillsuits look nice onscreen. The latter, they informed Polygon, acquired some combined outcomes.
“You recognize, I’ve heard completely different actors say various things,” Morgan says, laughing. “I heard an interview with Josh Brolin and Javier Bardem. [Bardem] was saying ‘Oh my God, I’m so snug. I beloved it. I beloved sporting it.’ And Josh Brolin says to him, ‘I don’t know which one you bought!’”
In accordance with West, creating Dune’s stillsuits was an extremely concerned course of that started with lengthy conversations with idea artist Keith Christensen and a prototype by sculptor Jose Fernandez. Groups of artists collaborated on each side of the ultimate swimsuit, which comprised 125 sample items.
“It’s not like doing a becoming for a recent movie, the place Meryl Streep arrives and talks in regards to the costume and what it could be, and is it uncomfortable?” Morgan says. “It needed to match everybody from Timothée [Chalamet] to Rebecca [Ferguson] to Jason Momoa. And so the dimensions vary is — you may see it like a sliding scale, each form and dimension has to look good and be snug and do stunts.
“When Timothée put it on the primary time, he was like, ‘Oh my God, that is wonderful!’ and he acquired down on the ground like a spider — as a result of he’s very fluid in his motion, and really agile. And Rebecca as properly, she needed to do fights, and he or she was instantly doing roundhouse kicks and spinning round. It helped us. We discovered with them.”
Each West and Morgan emphasize how a lot of their thought of Dune’s future wardrobe was impressed by the previous — not simply aesthetically, however in the way in which future people would adapt to abandon life in a lot the identical means they at all times have. The designers checked out how folks costume for the desert in Morocco and Jordan. They checked out Bedouin tradition and wardrobe, and the methods maintaining cool was a matter of life and loss of life — one that can seemingly be related to increasingly folks, given Earth’s altering local weather.
Dune: Half One is presently in theaters and on HBO Max.
https://www.polygon.com/interviews/22762310/dunes-timothee-chalamet-josh-brolin-stillsuit | Dune’s stars beloved (and hated) their iconic stillsuits